photojojo:

Seth Tara has shot an inspiring series for the History Channel entitled, “Know Where You Stand.” The set depicts modern people revisiting historic landmarks, with a black and white layer from the past. 

History Channel Photos Series Shows Our Interaction With the Past

via Reddit

(via sekundaer)

(via eyesondetroit-deactivated201304)

womanhouse:

Joseph Beuys - I Like America and America Likes Me (1974)

“A master of compelling performance pieces, Beuys flew to New York, picked up by an ambulance, and, swathed in felt, was transported to a room in the Rene Block Gallery. The room was also occupied by a wild coyote, and for a period of 8 hours a day for the next three days, Beuys spent his time with the coyote in the small room, with little more than a felt blanket and a pile of straw.

While in the room, the artist engaged in symbolist gestures, such as striking a triangle and tossing his gloves to the coyote.

At the end of the three days, the coyote, who had become quite tolerant of Beuys, allowed a hug from the artist, who was transported back to the airport via ambulance. He never set foot on outside American soil nor saw anything of America other than the coyote and the inside of the gallery.”

(via flirtingwithparadox)

sinidentidades:

lati-negros:

peaceblaster:

Sign!

Please share! :)

Help us stop the Belo Monte Dam by signing the petition here

I have posted multiple times about what is happening to the indigenous people in Brazil. Not only are they being brutalized because of mass projects like the Belo Monte Dam, but foreign companies seeking resources like lumber have killed whole villages and displaced people in an obvious imperialist campaign for the sake of capital gain. 

Here is a list of relevant articles: 

Sadly, it isn’t just Brazil involved in the continued exploitation of indigenous people:

(via tranqualizer)

No particular Islamic institution - legal, philosophical, or mystical - has an exclusive prerogative deciding who a Muslim is. It is Muslims themselves, in the plurality of their class, gender, and racialised identities - who are now (as they have always been) on a vastly variegated and open-ended highway making that decision for themselves - a decision between them and their creator, them and what they hold to be sacrosanct in their mind and hearts. Particularly disqualified to make that decision for masses of millions of Muslims are the byproducts of Muslim encounter with European colonialism, now ranging from the deeply invested ideological power mongering by Muslim Brotherhood, the Salafis, the Wahhabis, or their Shia clerical counterparts. Partaking equally in the exclusively juridical dimension of Islam, and violently dispensing with others, these ideologically driven enclaves of power have laid a false totalising claim on the entirety of Islam that needs to be categorically dismantled.

an excerpt from Hamid Dabashi’s brilliant new book, Being a Muslim in the World (via versaria)

Religious beliefs: Muslimness

(via kawrage)

“The West” is no more - and nor is, a fortiori, all the binaries it has coined and crafted over the last two hundred years plus - chief among them the “Islam” this very “West” needed and invented in order to believe in itself. The Islam that Orientalism invented for “the West” was meant more for “the West” to believe the jargon of its own authenticity than just to rule Muslims. “The West and the Rest” was the language of the European and American imperialism at the height of their normative hegemony that crafted “the West” and subjugated “the Rest”. Niall Ferguson and his ilk come at the tail end of this imperial conquest, at the tail end of that narrative fiction - now hitting a cul de sac. Financially bankrupt (look at Greece, the fictive birthplace of “the West”), politically corrupt (look at presidential elections in the US), economically stagnant (look at the US debt to China), diplomatically inept (look at the Iranian nuclear issue), all signs indicate that this thing Niall Ferguson still calls “the West” has long since internally imploded - with postmodernism and poststructuralism as its paramount philosophical eulogies. 

What does it mean to be a Muslim in the post-Western world that is now fast dawning upon us? What world will Muslims inhabit in post-Western societies, in or out of the Muslim world as we have hitherto understood, defined, and located it? In what way can even we talk about a Muslim world, and how is that world different, integral, or embedded in other worlds? Wouldn’t the end of “the West” as a self-asserted criterion also mean the end of Muslim world as it was manufactured in liaison with that divisive category?

Thank you.

(via mehreenkasana)

(via mehreenkasana)

miesuku:

hatsfromhistory:

carolathhabsburg:

Beauty in riding habits. Late 1880s

She is exquisite!

This is making me so excited about the DoV event!

(via aragingquiet)

Whereas Asian women are seen as biologically disposed to being subservient, black women are presented as the very opposite. The idea that black women lack the traditional feminine quality of subservience is not something that porn invented; it has been around for some years and has at times found its way into governmental reports, most notably the Moynihan Report (1965), which blamed black poverty on black women’s emasculation of black men.’ As ridiculous as this is, black women in particular, and the black community in general, have paid a heavy price for the pathologizing of black women as unrestrained “bitches” steamrollering over black men. Now, in porn, these women get their comeuppance.

As they are in the rest of society, black women are unequally treated in the industry, often earning less than their white female counterparts for the same acts and scenes; very few black women actually become well known and are thus denied the added wealth that comes with having a name in the industry. In his book on the black porn industry, Lawrence Ross quotes the well-known black porn actor Lexington Steele as saying: “In a boy/girl scene, one girl one guy, no anal sex, the market dictates a minimum of $800 to $900 per scene for the girl…. Now a white girl will start at $800 and go up from there, but a black girl will have to start at $500, and then hit a ceiling of about $800. So the black girl hits a ceiling at the white girl’s minimum.

Gail Dines, Pornland: How Porn Has Hijacked Our Sexuality (via wretchedoftheearth)

I talk to a lot of MOC who denigrate black women who do porn in ways that they don’t put down white porn actresses who are putting this money into the industry & I really wonder how many of them think about why they value them less.

(via karnythia)

(via karnythia)

karnythia:

spastasmagoria:

allofmystupids:

stfuraphistumblringon:

naffzilla:

You know what I love about Jarritos? EVERYTHING

For those of you who don’t know, I’m sorry. Jarritos is a Mexican Soda, that’s FUCKING DELICIOUS. They have great branding, all their bottles have the same texture. They have 11 flavors, all of them are pretty good. But everyone has their own personal top 3, you’ll find that’s very true. They use Natural sugar, no high fructose sugar, they taste great. Did I mention they taste great? Like seriously, you want good soda? Mexican soda.
Mexican Pepsi? Mexican Pepsi is legit better than Pepsi made in America. I don’t drink Pepsi anymore but lemme tell you. Get the Mexican version if you can (Southwest in general of America texas - california should have mexican sodas) you’ll see.
YOU’LL SEE. 

^

This.

Mexican and Jamaican sodas! OH MAN! Best taste!

(Except Moxie. I <3 u Moxie)

The local drug store’s lunch counter carries these. They are like a hug from Jesus. 200 calorie hugs from jesus. But hugs from jesus none the less. I usually don’t like orange flavored stuff but the orange and red ones are good. Om nom nom

Pineapple Jarritos is the way, the truth & the light. Just saying.

(via tranqualizer)

fangedgeranium:

housewitch:

Jewel Caterpillar

I am a Jewel Caterpillar

(via slkjflkjwefjskljf-deactivated20)

fangedgeranium:

this child cannot possibly exist because they are way too cute 

(via slkjflkjwefjskljf-deactivated20)